A simple & balanced platter, glazed with an opaque stony white.

Designed for daily use, as is all the work here at the website.

1.5” x 14”

A big vase with a satin matte glaze. Loose, carefree, brushing with cobalt & rutile overglazes that drip & move during the firing.

Another favorite from the first November firing - the first piece I reached for & wanted to photograph.

12” x 7”

A favorite from the first November firing.

A robust, curving, plate form with unglazed texture at the rim revealing the local stoneware clay I dig in Abiquiu, New Mexcio.

A deep opaque ‘Tenmoku’ glaze, with drips & brush strokes added.

2” x 12.5”

A new design this year - lighter, with a stony opaque glaze & a slightly scratchy surface outside.

Microwave & dishwasher-worthy.

4” x 3.5”

A compact wheel-thrown form with flat planes cut in, revealing the texture of the local clay from Abiquiu, New Mexico.

A dry matte yellow-brown glaze

Glazed white inside.

9” x 5”

A favorite from the first November firing, and another in an ongoing series of wheel-thrown forms that are partially dried, cut & darted, then put together again. The goal is an element of chance, or uncertainty, in the sculptural result.

Glazed inside & out with a smooth, rusty, yellow matte.

6” x 11” x 12”

A deep, open, plate form.

A satin blue-gray glaze inside & out.

3” x 12”

Deep hemispherical bowls, unglazed texture at the thick facet of the rim.

A smooth, kitchenworthy, ‘shino’ glaze inside & out.

Made for everyday use.

3” x 7.5”

Always a favorite form to throw - a quiet, self-contained, moderate, vase.

A meditative earthy glaze, formulated with local clay & wood ash.

Glazed white inside.

11” x 6”

A tall-sided bowl with a thin rim - great for kitchen use.

A smooth earthy glaze inside & out, made with wood ash & local clay.

5” x 12”

A favorite from the first November firing. A plate formed from a slab of clay, with gravelly shale rolled into the surface.

Made from local clay I dig in Abiquiu, NM, the shale is carefully screened out for working on the wheel, and I keep a pile nearby for adding back in to these rough spontaneous slab-built forms.

1” x 13” x 8”

A big full form, glazed white inside.

A thin satin white glaze outside, showing the drips & brush marks of the glazing session.

12” x 9.5”

The slender tall vase is allowed to partially dry, then is disassembled a bit, darted, & put together again.

The goal is invoking uncertainty & change in the geometry of the wheel-thrown form.

A dense rusty yellow-brown glaze.

10” x 4.5”

A round jar shape with a raised, unglazed, rim. Glazed white inside.

The glaze is a favorite, made from clay from the shore of Lake Superior near Duluth, MN

12” x 9”

A favorite from the September firing. A tall meditative form. Drippy sweeps of white slip under a dry, rust-textured glaze.

14” x 7”

A favorite from the first fall firing. A quiet, low, form, with swirls of white slip brushed underneath the stony satin glaze.

1.5” x 14”

A light wheel-thrown form, designed for use.

Microwave, oven, & dishwasher-worthy, as is all the work at this website.

5” x 10.5”

A thick & robust wheel-thrown form.

Unglazed combed texture at the rim

1.5” x 15”

A compact wheel-thrown form. Glazed white inside. Unglazed regions at the shoulder & foot reveal the texture of the local hand-dug stoneware clay.

A dense matte yellow glaze outside.

10.5” x 5.5”

A large platter with unglazed texture at the rim, revealing the rugged clay I dig in Abiquiu, New Mexico.

An opaque yellow glaze. Designed for use - food safe & oven-worthy.

2” x 15.5”